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Ford Frame GT40 Mk.II n° 2 Winner 24h Le Mans 1966 Black Wooden Frame 38 x 15 cm - Uli Ehret

  • 25300041

Ford Frame GT40 Mk.II n° 2 Winner 24h Le Mans 1966

Printed reproduction of an original watercolour by Uli Ehret 

With a black-painted wooden frame, mat and protective glass

Limited edition of 100 numbered and signed copies

Size 38 x 15 cm

Made in Germany 

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Ford Frame GT40 Mk.II n° 2 Winner 24h Le Mans 1966 Black Wooden Frame 38 x 15 cm - Uli Ehret

Ford Frame GT40 Mk.II n° 2 Winner 24h Le Mans 1966 Black Wooden Frame 38 x 15 cm - Uli Ehret

Ford Frame GT40 Mk.II n° 2 Winner 24h Le Mans 1966

Printed reproduction of an original watercolour by Uli Ehret 

With a black-painted wooden frame, mat and protective glass

Limited edition of 100 numbered and signed copies

Size 38 x 15 cm

Made in Germany 

Description

Ford Frame GT40 Mk.II n° 2 Winner 24h Le Mans 1966

Printed reproduction of an original watercolour by Uli Ehret 

With a black-painted wooden frame, mat and protective glass

Limited edition of 100 numbered and signed copies

Size 38 x 15 cm

Made in Germany


The Ford GT40 Mk.II No. 2, winner of the 1966 24 Hours of Le Mans with Bruce McLaren and Chris Amon, symbolizes Ford's revenge on Ferrari and the first overall American victory at Le Mans. Equipped with a 7.0-liter V8 and a body streamlined for very high speeds, it dominated the race as part of the historic Ford 1-2-3 sweep, embodying the raw power, mechanical endurance, and attrition strategy that characterized this now-legendary edition.


A Dream Life in Watercolor

Since childhood, Uli Ehret (born in Weinheim, Germany in April 1965) was passionate about cars and painting. At just 16 years old, he began winning national art competitions, and at 21, he opened his own advertising agency.

In 1998, the discovery of watercolor as a medium for depicting racing cars allowed him to make his first breakthrough in art. For his exhibition at the 24 Hours of Le Mans in 2005, Ehret demonstrated that he had finally found the tool to express dynamism, movement, and vibrations, and that he was now able to represent speed in his paintings. A subtle blend of realistic representation and impressionism. By its very nature, watercolor allows for a representation of movement that can be perceived even in the dust spray from the road and the glow of the brake discs. And the way Ehret utilizes the background adds even more speed to his works.

But his work doesn't stop at this impressionistic style; it is also complemented by the story of a specific race, a driver's life, a competition's high point, or a historical moment in motorsport. Uli Ehret reads extensively about motorsport, both current and historical. His library contains several hundred books on all kinds of cars, drivers, and eras. Thus, a painting doesn't just depict a fast car, but also tells a story about the person behind the wheel or a particular day of racing, filled with historical details.


References :

Rolex, Gulf Oil, Mercedes-AMG, Porsche, Shell, Alpina, Aston Martin, Volkswagen

Special artworks for Le Mans teams: Corvette Racing, ProDrive, Larbre Competition, Team Modena, Roll Centre, etc.

Custom commissions for motorsport enthusiasts worldwide.

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